ML: A Disturbing Reflection on the Past
Released on August 3, 2018, during the 14th Cinemalaya Independent Film Festival, “ML” is a psychological horror film that delves into the dark past of the Philippines under Ferdinand Marcos’ dictatorship. Written, co-produced, and directed by Benedict Mique Jr., the film features a haunting performance by Eddie Garcia as Colonel Jose Z. Dela Cruz, a retired METROCOM officer grappling with Alzheimer’s disease. His deteriorating mental state leads him to believe he is still serving in a time of oppression, mistaking a visiting student for a political dissident. This gripping narrative not only serves as a horror story but also offers poignant social commentary on the legacy of martial law in the Philippines.
The Premise and Setting
The film centers around Carlo, a Marcos loyalist played by Tony Labrusca, who interviews Colonel Dela Cruz for a school assignment. As Carlo seeks to understand the Colonel’s experiences during martial law, he unknowingly steps into a nightmarish reality. The Colonel’s delusions transform their conversation into a terrifying ordeal when he physically assaults Carlo and confines him to his basement. This scenario sets the stage for a chilling exploration of power dynamics and the psychological impacts of trauma.
The Characters and Their Dynamics
At the heart of “ML” are its complex characters, each representing different aspects of Filipino society during and after martial law. Eddie Garcia’s portrayal of Colonel Dela Cruz is both compelling and disturbing—his character oscillates between moments of lucidity and violent aggression stemming from his warped perception of reality.
Carlo serves as the unwitting victim drawn into the Colonel’s delusion. Initially eager to learn about history from someone who lived through it, Carlo’s curiosity quickly turns into horror as he confronts the brutality of his interviewee’s past. The dynamics between Carlo and Dela Cruz highlight not only individual trauma but also collective societal wounds that remain unhealed.
Supporting characters like Jace and Pat add depth to the narrative. They illustrate how innocent lives can be irrevocably changed by violence and coercion. Their fates serve as critical commentary on the broader implications of martial law and state-sponsored terror in Filipino history.
The Horror Element
“ML” uses psychological horror effectively to depict the terror of martial law beyond mere physical violence. The film does not rely solely on jump scares or supernatural elements; rather, it captures horror through its realistic portrayal of torture and abuse. The basement becomes a microcosm of oppression—dark, confined, and filled with despair—representing how fear can permeate society when authoritarianism prevails.
The torture scenes are particularly harrowing, showcasing the brutal tactics used during martial law. These sequences serve not just as shocking moments but also as powerful reminders of historical atrocities that continue to resonate in contemporary Philippine society. By presenting such graphic depictions, “ML” challenges audiences to confront uncomfortable truths about their history.
Social Commentary and Historical Context
Alongside its narrative of horror, “ML” engages in significant social commentary regarding the legacy of martial law in the Philippines. The film echoes concerns raised by other contemporary works such as Kip Oebanda’s “Liway” and last year’s “Respeto,” both of which critically examine this dark chapter in history amid rising political tensions surrounding figures associated with Ferdinand Marcos.
The resurgence of interest in Marcos-era politics has prompted filmmakers like Mique to address these issues through their work. By intertwining personal narratives with historical realities, “ML” encourages viewers to reflect on how past injustices shape present-day society. The film compels audiences to consider not only what has been lost but also what might happen if such events were to repeat themselves.
Impact and Reception
“ML” received positive reviews for its bold storytelling and powerful performances, particularly highlighting Eddie Garcia’s nuanced portrayal of Colonel Dela Cruz. Critics praised Mique’s direction for its ability to evoke genuine fear while addressing complex themes surrounding memory, trauma, and the risks associated with forgetting history.
The film’s release at the prestigious Cinemalaya Independent Film Festival positioned it within a platform that values socially conscious cinema in the Philippines. “ML” stands out among its peers by daring to confront difficult truths about the nation’s past while engaging viewers emotionally and intellectually.
Conclusion: A Call for Reflection
“ML” is more than just a horror film; it is a crucial commentary on Philippine history that urges viewers to confront their collective memory. Through its intense portrayal of psychological horror intertwined with historical realities, it challenges audiences to reflect on how the specter of martial law continues to haunt Filipino
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